We think about Cherritt as a ‘‘ bullnosed' serif face, since of its rounded off serifs. What that phrase may not convey is the friendly, friendly nature of this big family of faces. The design was originally influenced by traditional draftsmens' hand-drawn serif lettering, but has actually been given a precise geometric flavour that suits it for work owing its inspiration to any era, from Victorian times through to the purely modern. They are ideal for headings and poster work, but also for setting small volumes of text. 4 weights are consisted of in the family, along with large, broadened and condensed forms, true little capitals and openface types. All family members embody comprehensive opentype features.
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