Designer: Ingo
ZimmermanDeconstructive font, ideal only for initials; two variations for each letter; a video game of favorable and negative effects
New kinds foreign to letters overlap the familiar shapes. Nearly comparable forms and reflections provide a decorative impact to a few of the characters. Geometrical gimmicks often recollect Kurt Schwitters, and incidental amorphous kinds make one think of Hans Arp.
And yet, each letter keeps the essence for its legibility. Likewise, the illuminators of the Middle Ages also developed their handwritten decorative initials with imagination.
