Eleonora tends to defy basic categories. Had the typeface been developed in about 1790, it might've been called a "late transitional face" and lumped together with Bell and Bulmer. But it's a modern typeface, revealing more restraint in its finer information than even Baskerville. Also notable: it has no conventional, script-like italic however a more serious oblique with baseline serifs and other roman features. Has regular, italic, vibrant, and bold italic styles.
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