Hummingbird is reminiscent of old-fashioned cursive penmanship, the sort learned by endless repetition and found in cherished letters bundled together by silken ribbons or in worn leather-bound journals. The aim, across the past few centuries, was a stylish, yet disciplined uniformity. However to the discerning eye, those hours of fastidiously practiced classy scripts were still, at their essence, completely human, filled as they were with unintended variations in pressure, contrast, and fluidity.
My typeface, Hummingbird, utilizes technical sophistication to bring us a typeface that is charming, sensuous, airy, individual, and, in its sensitively wrought irregularities, as innately and totally human as the author's hand and pen.
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