Interno was created by Ian Lynam, Eli Carrico and published by Wordshape. Interno contains 2 styles and family package options. p > Interno is a heading typeface constructed from a Walter Ballmer Olivetti logo design exploration drawn at some point in 1960. Work on Interno started in 2006, but was quickly abandoned. In 2009, Eli Carrico selected it up and ran with it, finishing Interno 1. Ian Lynam selected through Eli's advancement stages of the typeface and edited together a slightly various version, Interno 2, utilizing a mix of development characters and original characters.

Interno is Italian for internal (or a minimum of that is what the translation widget told us). A lot of the traditional Olivetti design was down internal (i.e. internal). Also, the typeface has internal switchbacks reminiscent of a paperclip. Interno sounds a bit like 'turning inside' phonetically( In-Turn-O). In addition, Interno takes the very first letter and last letter of Olivetti and flips it.

What was the motivation for creating the typeface? It was built from a Walter Ballmer Olivetti logo exploration drawn sometime in 1960

What are its main characteristics and features? It is a highly contemporary display screen font that flexes in on itself, stimulating traditional Italian modern graphic design.

Usage recommendations: Show type for use in editorial, product packaging, and any other type of task that needs some Italian taste.

Font Family:
· Interno 1
· Interno 2

Tags: 1960s, ballmer, bauhaus, brand new school, calarts, designers republic, display font, eli carrico, ian lyman, ian lynam, italian design, kada, line, monoline, monoline font, olivetti, tdr, walter ballmer