Publisher: Fontry WestOverKill Bloque was produced in 1991 as a banner logo design for a players' fan newsletter, The OVERKILL Casualty Report. As letterforms were developed for various headings, a font took shape. Simply for grins I expanded an uppercase and numbers and named it Ultra Vibrant. Later, when Mike and I were working on our chiseled race pak, Ultra Vibrant convexed perfectly and fit in with the contemporary sports appearance of that font style pak. Mike is most at fault for the lowercase. No face ought to lack a lowercase! Because then, OverKill/ Ultra-Bold has actually made its method onto the covers of two comics and numerable lorries and indications. In 2008 I chose to make it better for the desktop crowd. I brought back the OverKill name and called the first font style in the household, OverKill Bloque.
All of the faces in the OverKill family are heavy hitters, developed for poster and display screen applications. Their shapes are extreme, pushing negative spaces to the max. Bloque is powerful and strong, great for logo designs. It is a strong headline face for comic and manga covers. More geometric and angular, Champion is a sports font. It will be at house on the field or on the court, adorning varsity fund-raising t-shirts or university/ expert group logos. Though not rather rustic or antique, Hammer is a slab-serif, a hard hombre with a nation taste. However don't think of it simply in regards to Wild West posters and western-wear logo designs. Hammer will be stiff competitors on Ivy League sweatshirts and other sports imprints. OverKill Stencil builds strong logo designs for construction and commercial items branding. And what futuristic sci-fi armed force would be total without Stencil markings on its enormous war devices? And for a matching worn-and-torn look, Grunge Stencil is a distressed font that conveys a sense of decay and erosion so normal of today's culture. Grunge screams punk posters and underground bands and the items of a wasted youth.
Don't just overdo, OverKill.
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