I have entirely redone the spacing in this typeface, making the sidebearings more standard. And after changing the kerning with fresh pairs working together with the brand-new spacing the font appears like a real gem. I like it!
The inline variation has a broader spacing after the letters CEK = no connecting words. Otherwise simply as charming and retro!
Nick Curtis states: "Here's an odd hybrid: I took the lower case from the official script font Stuyvesant, corrected its rather severe 22 degree slant, and integrated them with caps from the font style Bellevue, once again making them upright, and including an inline effect. The result is a font that streams really well, with a great balance in between clean lowercase characters and swashy caps. Thanks to Deborah Dunbar for naming this font style."