Up to now, all typefaces derived from the roundhand have actually been simplified so that the above letters get in touch with the following glyphs from the middle of their x-height. Sadly, this service produces an artificial, awkward appearance. At ReType we chose to relocate the opposite instructions. We didn't force the shape of hard-to-format letters into the service of innovation, but rather fixed to press innovation into the service of appreciating the initial graceful quality of those letters.
In addition, various aspects doing not have in Stirling's book have been included. The remarkably ornate capitals were redrawn in order to strike a greater balance and boost the consistency of the set of letters as a whole. Several swashes and ligatures were also developed from scratch. Possibly the most unusual function of Medusa is its little caps, which have actually been carefully designed to produce an all-cap setting that is stylistically harmonious with the classic copperplate script,
Font Family:
· Medusa
· Medusa Ornaments
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