Moonglow is an all-cap household with a broad series of faces from light to strong, and from condensed to extended. It adds an accent of drama when set with sturdy text deals with, and a flash of light and shade when used in other words solo settings. Moonglow has its roots in letters that Michael Harvey, the designer, has actually drawn for inscriptions. Harvey is an accomplished carver of letters in stone and wood. Before sculpting, he draws letters in overview, increasing the line weights fractionally on one side of the letters to produce the impression of depth. He likewise uses this idea to letters drawn for book coats and logos, where he develops a graphic impact by playing with the contrast between the overview of letters and the kinds inside. In the lighter weights of Moonglow, the thin dark details specify the characters and surround bigger interior forms. In the much heavier weights, enormous dark outlines end up being the types that surround slim wisps of characters. Letter percentages differ also, from condensed to extended, including additional graphic possibilities. The name Moonglow stimulates the waxing and subsiding of the moon, and parallels the type family's variety from brightness to darkness.
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