Wide sans serif display screen typefaces are nothing new. The reductive qualities of recent sans serif types aren't much newer. However how far can a design trend precede running out of steam? Steam power was the last thing Typodermic primary Ray Larabie wanted when developing Ohitashi. Humanistic stroke contrast combined with organic licks and curls set off by incised detail conserve this font from the cul de sac backed by reductive competitors. Three weight-- regular, semi-bold and bold-- offer Ohitashi useful range.
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