A. Clearly crafted for use in electronic media satisfies the demands of electronic communication.
A modern analysis of Naskh which was created as calligraphic design by Ebn Moghleh, a Persian sage in ninth century. This script is the most widely used, and its popularity has increased through the centuries. Most recently, it has worked as a basis for the typefaces that remain in use today.
B. Viability for multiple applications. Provides the best possible acceptability.
C. Severe legibility not just in small sizes, but likewise when the type is filtered or skewed, e.g., in Photoshop or Illustrator.
Parvin's simplified kinds might be synthetic obliqued in InDesign or Illustrator, with no loss in quality for the effected text.
D. An appealing typographic image.
Parvin was developed for several languages and writing conventions. Parvin supports Arabic, Persian and Urdu. It likewise consists of proportional and tabular characters for the supported languages.
E. The highest degree of calligraphic grace and the clarity of geometric typography. This typeface offers a great balance between calligraphic custom and the Roman visual common in Latin typography.
Font Family: Parvin
Tags: arabic, farsi, modern classic, urdu