Publisher: Bureau RoffaRather than confining itself to a single style, Ricardo combines the very best of 2 worlds: the conceptual clarity of a geometric style with the legibility and warmth of a humanist style. Its open counters, crisp joints, and even texture allow for reliable usage in long-form text settings, while its simple geometric shapes combined with some unanticipated information make it extremely appropriate for display settings such as branding and marketing. Ricardo consists of seven thoroughly selected weights, varying from ExtraLight to ExtraBold. The Medium weight operates as a somewhat darker option to the Regular. Ricardo's 812 glyphs per style assistance over a hundred languages, and also include arrows and case-sensitive punctuation.
The Ricardo family exists of 3 subfamilies: Ricardo, Ricardo ALT, and Ricardo ITA. Ricardo includes the most standard types, and is the most suitable alternative for long-form text. Ricardo ALT contains streamlined shapes for the a, j, u, and t, which are also accessible through Stylistic Set 2 within Ricardo (in opentype-savvy applications). The cursive-like italics of Ricardo ITA supply a slightly more eccentric option to the standard italics. Furthermore, all styles include stylistic alternates that swap the blunt pinnacles in A, M, N, V, W, v, w, y, and 1 for pointier ones. These are likewise accessible through Stylistic Set 1. Other opentype goodness consists of: (discretionary) ligatures, smallcaps, case-sensitive kinds, portions, nine sets of numerals, and more.
David Ricardo (1772-1823) is thought about the first of the classical economists, and combined ground-breaking mathematical abstractions with a reasonable down-to-earth method of explaining his ideas.
For more information on the design procedure of Ricardo, see: ilovetypography.com/2017/06/07/making-fonts-ricardo-a-tale-of-two-worlds/
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