Treasury Pro Font

Publisher: Canada Type

The Treasury script waited over 130 years to be digitized, and the Canada Type crew is really proud to have actually done the honors. And then some. After 7 months of meticulous deal with some of the most remarkable letter forms ever made, we can easily state that Treasury is the most enthusiastic, academic and satisfying type journey we've launched, and we're specific you will be rather delighted with the results.

Treasury surpasses being a simple revival of a typeface. Though the initial Treasury script is quite spectacular in its own right, we chose to bring it into the computer age with a lot more style and performance than just another lost script becoming digital. The Treasury System is an user-friendly set of fonts that makes the most of the most frequently utilized feature of today's style software: Layering.

Please do help yourself to the PDF and images in the MyFonts gallery for a glance at the a few of the endless possibilities Treasury needs to provide, from easy attractive beauty revealed in the main script, all the method into inexplicably spectacular calligraphic plates. To date in digital type history, this is the most detailed and versatile work of its kind.

Every designer loves many alternatives to experiment. Experimentation has actually never been as much enjoyable and efficient as it is with Treasury. If you're "compudling" your preliminary concepts for a layout, or you're simply an alphabet fan who loves spending time with letters, dealing with Treasury is extremely inspiring and fulfilling.

Some of Treasury's features are:

- No more limitless looking for preliminary caps that fit your task. The Treasury System lets you develop your own initial caps, in any combination of colors, fills, linings or measurements you like, with a few easy clicks of the mouse.

- With two base styles and 9 layer fonts, the Treasury System set helps you produce limitless possibilities of alternation and variation in dimension, color, and calligraphic mixes to fit your design's precise needs, down to the very last detail.

- 12 pre-combined Treasury font styles are also there to help and motivate design artists who like shortcuts and do not desire to fiddle with too numerous layers in their layout. Readily available in little plans by themselves, or as part of the complete Treasury package, these 12 font styles can begin you up on your method to discovering the ideal fit for your layout.

- Each and every single letter in the Treasury System features a minimum of one alternative. Some characters have even three or 4 alternates. Although the primary character set is an authentic performance of Ihlenburg's 1874 timeless, we made certain to consist of a gold mine of alternates for maximum usability.

- The most stunning set of characters we have actually seen in a long, long period of time. The Treasury numbers are what actually turned us onto this project in the first place.

- Treasury Pro, the exceptionally advanced OpenType variation, integrates the complete Treasury System into a single typeface, programmed for compatibility with Adobe's latest CS and CS2 software application. Over 2000 characters in one typeface, for thousands of possibilities. Setting the ideal stylish wordmark, logotype, intitial cap, or heading, no matter how easy or intricate, is as simple as taking a minute or two to push a couple of buttons in Illustrator, Photoshop, or InDesign.

We can go on endlessly about the charm and performance of this Treasury set, but we truly can refrain from doing it justice with words. So try Treasury for yourself and see the remarkable possibilities of fun and creativity it has. It can be used practically anywhere - indications, book covers, certificates, music inserts, movie posters, welcoming cards, invitations, etc.

Much thanks are because of the generous and substantial aid Canada Type got from the Harvard Library in Boston, Klingspor Museum in Frankfurt, and lots of type enthusiasts and researchers in Canada, England, Germany, the Netherlands, and the United States. Without them it would was near-impossible to find the lost history of Hermann Ihlenburg, the most prolific German/American type designer and punch cutter of the 19th century. We hope Mr. Ihlenburg is proudly smiling down on us from type designer heaven.