Designers: TypeType
Team,
Nadezhda
Polomoshnova,
Pavel
Emelyanov,
Marina
KhodakBased on the favorable experience in creating typefaces such as TT Standards Pro and TT Commons, we when created the enthusiastic concept of attempting to produce the best typeface to operate in modern user interfaces on many known mobile and web platforms. We took this task really seriously and, before continuing with the style itself, we performed rather comprehensive research work.
TT Interphases includes 22 styles: 18 designs in the basic household, 4 monospaced fonts, and 2 variable typefaces. The main visual functions of TT Interphases consist of the open aperture of the characters, the uniform distribution of white and black, as well as outstanding readability. The general neutrality of the typeface pattern is not without elegance, and all the information of the typeface are made with mathematical precision and love. In addition, TT Interphases has the most sophisticated manual TrueType hinting.
The basic TT Interphases household includes 18 designs (9 weights and 9 obliques), in each of which there are more than 930+ glyphs. In the typeface, you can find old-style figures, stylistic alternates, mathematical indications, in addition to 100 universal icons divided into 5 thematic groups: basic actions, states, sections of the website, files and folders, mobile interface. TT Interphases supports more than 180 languages based upon extended Latin and Cyrillic, including Bulgarian localization.
TT Interphases Mono is a complementary household of 4 designs (2 upright and 2 obliques), each of which includes 740+ glyphs. We deliberately altered the sign structure of the Mono subfamily-- we added unique characters to the encoding and got rid of everything that was not required (for instance, ligatures). Although Mono borrowed the standard style-forming elements of the primary household, for instance, the openness of the aperture or the degree of rounding of the circles, but due to the monospace, it adds some of his own character. To start with, this distinction can be found in the altered design of signs, in visible visual compensators, as well as in italics, whose style is made in a more humanist way.
Font Family:
