Turquoise was developed by Giuseppe Salerno, Paco González and published by Resistenza. Blue-green contains 1 style. p >

Many calligraphers agree that Roman Capitals is one of the most gorgeous yet tough hands to master. Its beauty lies in its simpleness of form and structure, yet understanding and applying these skillfully can take years of mindful practice.

My objective was to develop Roman Capitals that were smoothly designed with a brush, not carved. The main concept was based on the essential strokes that are typically studied when you practice Roman letters. That's why numerous Serifs have these incomplete terminal serifs.

I created the Turquoise typeface based upon my Capitalis Romana practice with a versatile broad edged brush and gouache. During the lowercase process I was still following Fundamental calligraphy with a flat brush. My Turquoise Capitals were then adjusted and redesigned at the Tipobrda calligraphy workshop in Slovenia.

Turquoise consists of little caps, numerous discretionary ligatures, accessories, swashes along with several brushy nature-inspired ornaments, available by means of OpenType. Ideally suited for headings or body text in advertising, product packaging and visual identities, its fragile shapes, curves and endings give projects a harmonious beauty and stylistic feel in distinct Blue-green style.

My inspiration for this font showcase is one of the richest islands in the Mediterranean, the place where my moms and dads are from, Sicily. This southern Italian area has a lot of special spots: Stromboli, part of the Aeolian Islands, and the Pelagie Islands is among my preferred places in Sicily. The images I used were taken there this year.

So take pleasure in the sun, the serifs, the water and its Blue-green colors.

The brush is mightier than the sword.

Turquoise works very well with

Nautica

Check likewise Blue-green Inline

Font Family: Turquoise Regular

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