Vendetta's general character originates from a synthesis of ideas, old and brand-new. Hallmarks of roman type design from the Incunabula duration are blended with modern concerns for the ideal display screen of letterforms on computer screens. Vendetta is therefore not a historic revival. It is rather an indirect however individual digital tribute to the roman kinds of punchcutters whose work was affected by the example Jenson embeded in 1470.
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